In researching labeling methods, the current gold standard is to use Paraloid B-72 mixed with acetone, ethanol or related solvent. From what I gather, the B-72 remains suspended in the solvent, and you can brush it onto the specimen. After letting a first layer dry, you can then label it. Then, you can paint on a second layer to protect it.
Another use is to brush it directly onto the entire specimen. This practice should be used with care. While you can remove it later using acetone, the more chemicals and coats you add to a specimen, the more likely you are going to destroy it. I’ve used this on faint leaf impressions to help them stand out. It gives the specimen a bit of a permanent wet look. It can also help sturdy a fragile specimen, such as a leaf impression in shale.
You can also use B-72 as an adhesive. It will stick fast to clean rock and I have used it to glue pieces together that break during the cleaning process.
The materials used in the past were prone to turning yellow over time. Thus far, B-72 has shown to be a very stable resin.
According to an issue of the NPS Conserve O Gram, you mix a 25% solution by weight in acetone. B-72 comes in small pellet form when you purchase it online. When I first attempted this, I poured the pellets directly in a beaker and added acetone. I found that when doing this, the pellets will stick to the bottom of the beaker and make it harder to dissolve it. From doing research online, I have found that wrapping the pellets in cheesecloth and suspending that in the mixture, even after applying a lid can help it dissolve fast.
Plenty of ventilation is required when mixing. Do it in a well vented area.
To make the 25% solution with a final volume of 100 ml, you would first measure 25 grams of B-72 pellets. If using the cheesecloth method, you place these into the cheese cloth and wrap it into a ball. You then add acetone until the volume of the acetone and the pellets is 100 ml. The problem with the cheesecloth is that you have to assume that adds to the volume, so you may want to add a bit more to get past 100 ml.
You then let the mixture sit with the pellets suspended in the cheesecloth until they completely dissolve. After that, you can remove the cheesecloth and you have your mixture. If you are pouring it into other containers, you can add water to the beaker immediately after pouring it and the leftover B-72 will harden into a while film that should easily lift out.
Mixing Up White Paraloid B-72
You can add titanium dioxide to make a white tinted mixture, provided you add a 0.01% amount of toluene to keep titanium dioxide in suspension. This is useful for using it on black specimens, which I find plenty of my local limestone is black in color.
Clean Up After Production
Once you are done mixing it in whatever container you are using, you can add water to the empty container coated in B-72 mixture. Once the water is added, it will quickly turn into a while film and easily lift off. You must add the water before the mixture dries out, which is the acetone exhausting away
Another consideration is storage. At first, I used a mason jar with wax paper inserted between the lid and the jar. B-72 can be a powerful adhesive and you will literally glue the jar shut if you are not careful. Later I bought empty nail polish containers with brushes on the lid. This way I did not have to throw out brushes after placing it on specimens.
Removal from specimens
To remove it, you can apply more solvent to dissolve it. I have little experience in this and would recommend searching online for more information.
More Information Online
- Use of Acryloid B-72 Lacquer for Labeling Museum Objects – National Park Service
- Mixing Chemical Solutions – Sciencing.com